One thousand years ago, the demigod Maui (Dwayne Johnson) steals the heart from island goddess Te Fiti. One thousand years later, Moana (Louise Bush, Auli’I Cravalho) is born. She is drawn to the ocean, but her father, Tui, (Temuera Morrison) the Chief of the village, repeatedly tells Moana not to go beyond the reef. But Moana’s grandmother, Tala (Rachel House) urges Moana to find out more about her ancestors, and she finds out she comes from a family of explorers. Moana tries to sail out beyond the reef, but gets tossed around and goes back to her home island. But then tragedy strikes, the fish near the reef begin to die and Tala becomes bedridden. As she is dying, Tala implores Moana to sail again, and gives her the heart of Te Fiti, in the form of an emerald like stone and tells her to find Maui, and return the stone to Te Fiti. Moana finds Maui on a deserted island, Maui is a boastful demigod, but he is also frightened of Te Ka the volcanic God who stands in the way of bringing the heart stone back to Te Fiti. So he traps Moana on the deserted island and has no intention of giving the stone heart back to Te Fiti. Does Moana get off the island? Do she and Maui return the heart stone to Te Fiti.?
Moana dies a good job of synthesizing a Polynesian myth with a modern story of a girl seeking her independence from her overprotective parents. However, he writers undercut the message of independence for women by having Maui tag along and talk down to Moana through a large part of the film. In addition the animal characters are wasted, they should have anthropromorphized the animals and given them the power to speak only to Moana, but instead they end up with a brainless google-eyed chicken. The ending has a nice twist, which reinforces why Moana was chosen for the journey.
The voice acting is excellent. Auli’I Cravalho is a natural as the young, impetuous, Moana. Her bubbly personality imbues the film with positivity, and the audience cannot help but root for her. Dwayne Johnson was surprisingly funny in this movie, I was surprised how good his comic timing was. Rachel House is very endearing as Moana’s granny. The scenes between House and Cravalho are very touching,
An hour and 47 minutes is a little long for an animated feature, but the four directors keep the pace going briskly. The animation is eye-popping. If there are beaches that pristine in the world, I would like to visit them. The performances from the main actors are very good, although the music was slightly underwhelming. I expected more from Lyn Manuel Miranda.
There is an entertaining short before Moana, called Inner Workings, be sure and watch it, it is funny and lighthearted.
Moana: Maui Wowie!