Archive for the ‘Comedy’ Category


One thousand years ago, the demigod Maui (Dwayne Johnson) steals the heart from island goddess Te Fiti.  One thousand years later, Moana (Louise Bush, Auli’I Cravalho) is born.  She is drawn to the ocean, but her father, Tui, (Temuera Morrison) the Chief of the village, repeatedly tells Moana not to go beyond the reef.  But Moana’s grandmother, Tala (Rachel House) urges Moana to find out more about her ancestors, and she finds out she comes from a family of explorers.  Moana tries to sail out beyond the reef, but gets tossed around and goes back to her home island.  But then tragedy strikes, the fish near the reef begin to die and Tala becomes bedridden. As she is dying, Tala implores Moana to sail again, and gives her the heart of Te Fiti, in the form of an emerald like stone and tells her to find Maui, and return the stone to Te Fiti.  Moana finds Maui on a deserted island,  Maui is a boastful demigod, but he is also frightened of Te Ka the volcanic God who stands in the way of bringing the heart stone back to Te Fiti.  So he traps Moana on the deserted island and has no intention of giving the stone heart back to Te Fiti.  Does Moana get off the island?  Do she and Maui return the heart stone to Te Fiti.?

Moana dies a good job of synthesizing a Polynesian myth with a modern story of a girl seeking her independence from her overprotective parents.  However, he writers undercut the message of independence for women by having Maui tag along and talk down to Moana through a large part of the film.  In addition the animal characters are wasted, they should have anthropromorphized the animals and given them the power to speak only to Moana, but instead they end up with a brainless google-eyed chicken.  The ending has a nice twist, which reinforces why Moana was chosen for the journey.

The voice acting is excellent.  Auli’I Cravalho is a natural as the young, impetuous, Moana.  Her bubbly personality imbues the film with positivity, and the audience cannot help but root for her.  Dwayne Johnson was surprisingly funny in this movie, I was surprised how good his comic timing was.  Rachel House is very endearing as Moana’s granny.  The scenes between House and Cravalho are very touching,

An hour and 47 minutes is a little long for an animated feature, but the four directors keep the pace going briskly.  The animation is eye-popping.  If there are beaches that pristine in the world, I would like to visit them.  The performances from the main actors are very good, although the music was slightly underwhelming.  I expected more from Lyn Manuel Miranda.

There is an entertaining short before Moana, called Inner Workings, be sure and watch it, it is funny and lighthearted.

Moana: Maui Wowie!


dave chappelle

The star of Comedy Central’s Chappelle’s show talks about Bill Cosby, Kevin Hart, the LGBTQ community, and his four meetings with O.J, Simpson.

I like Dave Chapelle, not his stupid movies, like Half Baked, but I loved his show Chappelle’s  Show, precisely because it was edgy and dangerous.  He took what people were thinking and said them, and that’s why I liked his show, and he said things that no one would think of saying and said them anyway.  Some people may not like him because of his controversial humor, but that’s why I like him.

This brings me to this special.  Some of this special is very funny and made me laugh out loud, but some of it is not funny at all.  Here’s my take, when someone is TRYING to be funny, I can tell, it doesn’t sound natural, and Dave Chappelle was trying to be funny in some instances in this special.  The thing is, he doesn’t have to try so hard to be funny, he just is funny.  At times he sounded like he was giving a history lesson, and that is definitely not fun. Maybe age has mellowed him, there’s a big difference between a 40 something comedian and a 30 something comedian.  Maybe my expectations for Chappelle were too high, sometimes expectations are difficult to live up to.  I disagree with Dave Chappelle’s views on Kevin Hart, and Key and Peele, but comedy is subjective, even for comedians.  There’s some good material here, but is it top flight jokes for an hour?  No.

Morgan Freeman narrates the opening, but that’s the only really distinctive aspect of the special from the director’s point of view. Other than that, it’s Chappelle talking to the audience.

Chappelle juices up his new special.


Kubo (Art Parkinson) is a Japanese boy who lives in a cave near a small village in Japan with his sickly and forlorn mother, his father has passed on to the next world.  Kubo makes what little money they have by telling stories of the exploits of a great warrior, Hanzo, who fought the Moon King (Ralph Fiennes) with his armor made up of The Sword Unbreakable, The Breastplate Impenetrable and the Helmet Invulnerable. The villagers all enjoy Kubo’s tales.

One day, while at the Obon Festival, Kubo tries to summon the spirit of his dead father, but he stays after sunset, and he is attacked by his evil aunts, known as The Sisters. (Rooney Mara) Kubo’s mother holds off her sisters with a powerful spell that knocks Kubo unconscious.  By the time Kubo wakes up his mother is gone, and his monkey charm has come to life. Monkey (Charlize Theron) Kubo, and Little Hanzo, the origami figure that came to life in Kubo’s tales, find Beetle, (Matthew McConaughey ) a samurai warrior who fought with Hanzo, and was turned into a beetle as a curse for his bravery. Kubo must now find the Sword Unbreakable, the Breastplate Impenetrable, and the Helmet Invulnerable with the help of Monkey, Beetle and Little Hanzo, before The Sisters find him and turn him over to the Moon King. Will he find the armor and be prepared to fight the Moon King?

I love this movie, not only is it an epic adventure in the spirit of the Iliad and the Odyssey, but it is also a love story, and a family reunification story.  It blends these three complex storylines with humor, heartache, some scares and some Eastern religious teachings about life and death.  To top it off, the animation is spellbinding, beautiful artistic scenery, and flights of fancy, like Fantasia, Words do this film no justice, it must be viewed to be enjoyed. This is the same studio that did Coroline and The Boxtrolls, if you liked those movies, you will love this one.

The acting is superb.  Charlize Theron is as good as I’ve seen her in anything.  She expresses her love for Kubo by being a protective shield over him, and her love for him is as intense and heartfelt as anything I’ve seen on film.  She also expresses her love for Kubo’s father in a pure, uncomplicated way.  Matthew McConaughey also gives an amazing performance as a simpleton Beetle who must protect Kubo above all, he infuses Beetle with a kind of down-home Texas delivery, that is charming and disarming.  Rooney Mara is intriguingly creepy as The Sisters,  I wish there were more Asian people in lead roles to give the story more authenticity, the Asian actors seem like bystanders in their own story.  Having said that, the acting could not have been better, there was a real emotional connection made between the viewers and these actors.

I know nothing about how to direct an animated film, but however it’s done, the director did what he needed to do, the pacing is good, the performances are very good, and the visuals are good. This is Travis Knight’s first directorial job, but he’s had jobs as an animator in movies like ParaNorman, Coraline, and The Boxtrolls.  He also did animation for Kubo.  The results of his work are beautiful.

Kubo and The Two Strings:  Zing Went The Strings of My Heart


Bill Gambini (Ralph Macchio) and Stan Rothenstein (Mitchell Whitfield) are college friends driving through Alabama when they are arrested for murdering a store clerk.  Bill and Stan give confusing statements to the police and realize they need a lawyer.  A good lawyer costs 50-100 thousand dollars, but Bill’s mother knows of a lawyer in the family, Bill’s cousin Vinny. (Joe Pesci) Vinny brings his fiancé Mona Lisa Vito (Marisa Tomei) along for the ride. But Vinny’s defense of Bill and Stan gets off to a bumpy start, he gets held in contempt of court twice, by Judge Chamberlain Haller, (Fred Gwynne)  and asks no questions at the pre-trial hearing, so Bill and Stan consider using the public defender, John Gibbons (Austin Pendleton) but they decide to retain Vinny after he gets some concessions from the first eyewitness.  Vinny continues to punch holes in the prosecution case, but then the prosecution calls George Wilbur (James Rebhorn) an FBI expert on tire treads who says the tire treads on Bill and Stan’s car is the only car that can make the tire tracks at the murder scene. Can anyone counter this damning testimony?  Will Bill and Stan be convicted of murder?

This is a classic fish out of water story, a culture clash between East Coast Italians and Southern Baptists.  Stereotypes abound, especially Italian American stereotypes, but Hollywood seems to revel in stereotypes.  The saving grace of this movie is that it’s laugh-out-loud funny, for example there is a running gag in this movie, and an actual payoff to the running gag. Also, Vinny and Mona Lisa actually evolve beyond their stereotypes, and watching these characters grow and evolve is what makes this film a classic.

The acting is very good.  Pesci shows great comedic timing which should be no surprise to anyone who has seen Goodfellas.  Tomei is laugh out loud funny as Lisa Vito, she won an Oscar for her performance, and deservedly so, although she does lay the Italian New York accent on a bit too thickly.  Fred Gwynne plays it straight most of the time, but there are moments when I see that Herman Munster twinkle in his eye.  He is perfect in this role.  “What is a yoot?” he asks Pesci. This is one of many classic lines in this movie. Ralph Macchio has very little to do in this movie, well after his success in the Karate Kid movies.

Johnathan Lynn is the director here.  He’s a British director, who’s done The Whole 9 Yards, but little else of note.  He doesn’t really do anything visual in this film, a couple of low angle shots and that’s it.  But he keeps the pacing going along quickly, and gets good performances from Tomei, Pesci, and Gwynne, and ties up the loose ends nicely.

My Cousin Vinny:  Pesci bellies up to the bar.


Florence Foster Jenkins (Meryl Steep) is a wealthy socialite whose greatest desire is to sing opera.  Florence is encouraged by Arturo Toscanini (John Kavanagh) and by her husband, St. Claire Bayfield. (Hugh Grant)  The problem is, Florence can’t sing very well.  Undaunted, she hires a vocal coach, and a pianist, Cosme McMoon (Simon Helberg) McMoon  seems bewildered by the fact that he is playing classical music for a woman who can’t sing.

Bayfield continues to carefully manage Florence’s career, keeping mockers and negative reviewers at bay, sometimes bribing reviewers to keep their views secret.  This is not the only deception that Bayfield is practicing, he is carrying on an affair with a woman named Kathleen. (Rebecca Ferguson)  Seemingly oblivious to the deception around her, Florence cuts a record of the song, “Like A Bird.”  The song is a hit with the troops fighting in WWII, so Florence plans a concert at Carnegie Hall, and has already given away thousands of troops coming home from the war.  Bayfield and McMoon worry that they will no longer be able to control the scoffers, and that Florence Foster Jenkins feelings will be crushed when the truth is revealed.  Doess the Carnegie Hall show go on?  What is the crowd and critical reaction to the show?

The story of Florence Foster Jenkins portrayed in the movie seems historically accurate, and I was happy to learn her story, but the story lacked any sense of conflict.  Her husband cheated on her,  she had an STD, and she couldn’t sing very well, yet this movie seems to accept all these facts at face value, and have no conflict stemming from any one of these things, makes for a very dull film.  It tries to be a screwball comedy, like the movies Cary Grant and Katherine Hepburn used to make, but falls short.  The comedy relies on one joke, Florence can’t sing, and everyone knows it but Florence, the old Emperor Has No Clothes story, but it never goes anywhere, and the tacked on ending doesn’t help matters any.

Meryl Steep is not great in this film.  I never lost myself in this performance.  I always thought “Oh there’s Meryl Steep playing someone.”  And Streep is supposed to be the queen of accents, muddles the accent here, sometimes it’s a British accent, sometimes an American accent, and Jenkins was born in Pennsylvania.  She does not deserve an Oscar nomination in my opinion.  Hugh Grant tries to play a Cary Grant type roguish character, a loveable playboy, but Hugh Grant is not Cary Grant, and lacks both the charm and wit that Cary Grant possessed.  Simon Helberg plays a version of his character on The Big Bang Theory, and he’s not very funny.

Stephen Frears is a good director, he’s directed movies like High Fidelity, and Dangerous Liaisons, but he misses the mark here.  Florence Foster Jenkins is not funny enough to be a comedy or dramatic enough to be a drama, so it muddles along in some middle ground.  The pacing is poor because there is not enough material here for a 2 hour film and so, the middle of the movie drags Frears does not get especially good performances from any of the actors, so the combination of bad pacing, mediocre performances and a bad script, are all things that Frears had a say over and didn’t do enough to change the uninteresting elements.

Florence Foster Jenkins:  Don’t go with the Flo.


Lane Meyer (John Cusack) is an average teenager with a lot of issues.  His mother Jenny, (Kim Darby ) can’t cook.  His father Al, (David Ogden Stiers ) has issues with the paperboy.  His brother Badger (Scooter Stevens) is sending for weird books through the mail.  He has Korean brothers, Yee Sook Ree (Yuji Okamoto) and Chen Ree (Brian Imada) trying to drag race him, when all he drives is his parents station wagon, and his classic Camaro sits under a sheet, untouched by human hands.  His neighbor Ricky Smith (Dan Schneider) is spending the summer with a pretty exchange student, named Monique, (Diane Franklin) who can’t speak a word of English.  But at least Lane has a girlfriend named Beth (Amanda Wyss) who he obsesses over.

But then Beth breaks up with Lane, she starts going out with ski champ Roy Stalin (Aaron Dozier) needless to say, Lane takes the breakup badly.  He tries to commit suicide, albeit half-heartedly.  Lane’s friend, Charles De Mar (Curtis Armstrong)  advises Lane to ski the K12, the most challenging ski run in the area and to take up the saxophone, both designed win Beth’s heart back. His father wants Lane to date Joanne Greenwald to help dad’s business prospects.  In a fit of anger, Lane challenges Roy to a race down K12.  Lane is a good skier, but is he ready for K12?  And if he does race, will this impress Beth, or win him the affections of another girl, Joanne Greenwald or Monique perhaps?

When I watched this movie 32 years ago, I thought it was better than it actually was.  Now I watch it, and as much as I wanted to slap a classic tag on it, I couldn’t.  The production values are so cheap, the recurring gags recur so many times, hinting at a lack of material, and the plot is so stunningly obvious from the start, that despite my admiration for John Cusack, I just couldn’t label this movie a classic.  I realize now  my fondness for Better Off Dead occurs more from nostalgia than it being a good movie.  And suicide is never funny, and shouldn’t be treated as a joke.

The actors are very familiar.  John Cusack gives a heartfelt performance as a heartbroken teen, but this is familiar territory for him.  He plays similar roles in Say Anything and The Sure Thing, and I think the best of the three is The Sure Thing, but his performance in this is worth watching for sure.  David Ogden Stiers is from MASH of course, and he plays the clueless father with some of the same timing he had in MASH, Amanda Wyss was in Nightmare on Elm Street, and plays Beth to be as unlikeable as possible. Diane Franklin, who was in Bill And Ted’s Excellent Adventure had great chemistry with Cusack and also made the movie worth watching.  Curtis Armstrong is best known to me as Booger from Revenge of the Nerds and essentially plays the same character, a wise guy, who’s been around the block a few times. E.G. Daily, from Pee Wee’s Big Adventure even sings a few songs. All this 80’s talent should’ve resulted in a better movie.

I think the fault lies in the direction.  “Savage” Steve Holland is the director’s name and he sure savages his movie.  The movie has no continuity, the scenes seem like a bunch of vignetttes, loosely tied together, and as soon the punch line hits, it’s on to the next scene. The recurring gags grow tiresome after repeated use, and the best part of the film, the animation, is used too sparingly.  To his credit, the music is good, and there is at least one good skiing montage, and the last ski race is filmed well.

Better Off Dead:  Worse than I remember.



Episode 1:  The Original

Westworld is a world where android hosts are built to please human customers.  When one of the androids goes awry, senior programmer Bernard Lowe (Jeffrey Wright) is called in to find out what the glitch is.  Theresa Cullen (Sidse Babbet Knudson) wants all the defective androids recalled, but the creator of Westworld, Dr. Robert Ford, (Anthony Hopkins) doesn’t want the androids shut down at all.

This is a very interesting episode, the writers are intentionally vague about several things, when this world is built, who the humans are, and if the robots are becoming self-aware.  The last factor is perhaps the most interesting and makes this series worth watching, at least so far.  The writers are Jonathan Nolan and his wife Lisa Joy.  Jonathan Nolan has co-written some of the most interesting sci-fi movies in recent memory, Interstellar, The Dark Knight, and Memento, to name a few.  So. I hope the writing stays this sharp.

Anthony Hopkins is great as the founder, he’s obviously conflicted between making the androids as lifelike as possible, and keeping people safe.  It’s a very subtle performance.  Jeffrey Wright is also very good as the lead programmer, desperately trying to find out what’s going wrong with the androids.  Evan Rachel Wood is interesting as an android just starting to realize that she may not be human.  Sidse Babbet Knudson gives an intense performance as an operations leader, she wants to keep Westworld safe above all.

The cinematography is superb.  There are beautiful exterior shots of mostly Utah, and those shots set the stage for what is essentially a Western drama.

Episode 2:  Chestnut

Dolores Abernathy (Evan Rachel Wood) is having private conversations with Bernard, which Bernard doesn’t want anyone to know about.  Bernard’s relationship with Theresa Cullen extends beyond the boardroom.  Two guests arrive at Westworld, Logan (Ben Barnes) has been there before, William (Jimmi Simpson) has not. Maeve (Thandie Newton) is having flashbacks to an earlier adventure.  The Man in Black (Ed Harris) wants to know what’s going on behind the scenes at Westworld.  Lee Sizemore (Simon Quarterman) creates a new storyline for Westworld, does Ford approve?

What I like about this show is that there are about 5 storylines going on, and all five are interesting.  The androids having memories, and the programmer and the android having private conversations are the most interesting.  Great acting by Hopkins, Ed Harris and Thandie Newton keeps the tension in the script high, and it never lets up.  The least interesting of the storylines are the new guests, hope that gets better, but I am hooked, oh yes I am.

 Episode 3: The Stray

Bernard is still talking to Dolores. He gives her a book, Alice in Wonderland. Dolores learns to shoot from Teddy, after recalling a distant memory.  Bernard learns about an old programmer named Arnold from Ford. Teddy gets a new storyline.  William gets a new adventure. Ashley Stubbs (Luke Hemsworth) and Elsie Hughes (Shannon Woodward) go in search of a stray android.  Dolores finds her way to William and passes out.

There are some interesting bits here, the continuing evolution of Dolores, Bernard’s fascination with Dolores.  Maeve’s continuing recall, but I don’t like William and his friend, and don’t like Ashley and Elsie. It’s funny the human characters are less interesting than the android characters.  I don’t know if Luke Hemsworth is any better an actor than his brothers, Chris and Liam.

Episode 4:   Dissonance Theory

Bernard tells Dolores that she can go search for the maze and that will set her fee, instead she gets caught in a bounty hunt with William and Logan. The Man in Black is getting close to finding the maze himself, but isn’t there yet.  Maeve continues to have visions, and turns to outlaw Hector Escaton (Rodrigo Santoro) for help.  Theresa has a disturbing conversation with Ford.

It’s interesting that the androids are becoming self-aware, but I think the most interesting aspect of this episode is Ford.  I also found Maeve to be more and more sympathetic of a character.  I have my theories about the world that Ford has created, but I will keep those to myself, because it’s only speculation. William and Logan are not interesting characters, William is supposed to be sympathetic, Logan is a macho know-it-all creep. Dolores is starting to annoy me as a character, too much Hamlet type indecisiveness.  Get on with it, writers.

Episode 5: Contrapasso

Dolores, William, and Logan reach Pariah, another Western town.   Dolores is hearing voices, who are the voices coming from?  The Man in Black finds Ford, what do they talk about?  Elsie finds something odd inside The Woodcutter.  Felix Lutz (Leonardo Nam) one of the techies, who patch the androids together, is working on building an animatronic hummingbird.  Maeve comes in for more repairs, and then Felix gets quite a surprise.

Westworld is getting really interesting now, Dolores is hearing voices and lying to protect herself and the identity of the voice.  Maeve is getting more self-aware, and her storyline is coming to a head.  I don’t like the William and Logan characters or their involvement in the storyline, or Elsie and the Woodcutter, which sounds like some kind of fractured fairytale.  But I do like Ford’s character because he always keeps me guessing. A great performance by Anthony Hopkins, Thandie Newton is also superb as Maeve, quick witted, acid tongued, yet vulnerable, it’s a very good performance.

Episode 6:  The Adversary

Maeve begins a regular day and ends up passed out in the lab with Felix. Elsie sends Bernard to find out what made the Woodcutter act strangely, and then she goes out alone to do more digging.  Lee goes on a drunken rage and runs into Charlotte Hale (Tessa Thompson) a new arrival in Westworld.  Teddy and the Man in Black encounter Union soldiers when trying to cross into Mexico.

I really like the Maeve storyline, that’s the best one they’ve got right now. Thandie Newton turns in another great performance in this episode. Elsie’s storyline was a bit creepy in a scary way, but also dumb. Why is Elsie going to these places at night, alone? Where is Ashley Stubbs?  Isn’t he head of security?  Why isn’t he with her?  Not sure what’s going on with Lee and Charlotte, but Lee is a jerk, so I hope it ends badly for him.  Not sure where the Man in Black Teddy storyline is going, but it seems to be going in circles. No Dolores, William or Logan this week, which is fine by me, I was bored with them anyway.

Episode 7:  Trompe L’oeil

Bernard dreams of his dying son. Theresa and Charlotte want a fall guy for the malfunctioning androids, but Ford has other ideas. Elsie is missing, Bernard tries to look for her. William, Dolores and Lawrence encounter a Native American tribe in their quest to find the maze. Maeve has a plan, but will Felix and Sylvester go along?

There is a big reveal in this week’s episode, I can’t say I was shocked by it, I wasn’t.  I don’t like the Dolores William storyline.  William already knows the secret of Westworld and Maeve has already found out, so why have Dolores and the Man in Black trying to find the same thing?  I like the Maeve storyline, her character has grabbed the center of attention in the show, and again, Thandie Newton is very good.  She doesn’t have a lot of dialogue in this episode, but it packs a punch.  Anthony Hopkins is at his creepy best, the viewers will grow to loathe him, but that’s just good acting.

Episode 8:  Trace Decay

Maeve wants new skills to advance her plan, will Felix and Sylvester help her?  Bernard tries to forget what has happened to Theresa.  Dolores and William are still looking for the maze, as are the Man In Black and Teddy.

The Maeve storyline continues to be the best one, the writers tried to integrate the Maeve and Man in Black storyline and did not succeed, on my opinion.  The Bernard storyline is pointless after the reveal.  I do not like the Maze storyline, the writers seem to want to shroud this Maze in mystery, but it is not interesting to me.  The writers leave this episode on a cliffhanger, but not a very interesting one.

Episode 9:  The Well-Tempered Clavier

Bernard and Ford have a long discussion about existence in Westworld.  William and Logan reconcile, or do they?  Dolores meets Arnold, or is she simply losing her mind? The Man in Black is still looking for answers, does he find any?

This is a much too philosophical episode, too existential, too metaphysical. The episode reveals more about Bernard, but the viewer already knows about him, so it doesn’t really help. It reveals more about The Man in Black, but I never really cared about him. The lead up to the finale is muddled and raises more questions than it answers.


Episode 10:  The Bicameral Mind

Ford unveils his new narrative.  Maeve sets her plan in motion.  The Man in Black reaches his destination.  Dolores realizes what she’s meant to do.  William learns the art of survival in Westworld.

This episode reveals a lot, but there are more questions raised, some of them frustrating.  The viewer and the blogger (me) will supposedly have to wait until 2018 to find answers to these burning questions.

Overall, the storylines were incredibly well-written.   I wasn’t as enamored with the Western storyline as the others, it seemed to drag on and on, neither William Logan, nor Dolores was very interesting.  Dolores started out interestingly, but they made Dolores too much of an enigma for my liking.  The Maeve storyline was the best storyline, so I was bit disappointed in her character’s finale.  Bernard was an intriguing character for a while, but after his reveal, my interest in him waned.  What the writers did best was blur the lines between android and human.  The show did it right off the bat, and kept viewers guessing who was human and who was android. What I didn’t like was the extremely violent finale, and the never ending bullets.  Nobody ever runs out of bullets in Hollywood.  But whatever shortcomings the series has, it asks big philosophical questions like.  If we create self-aware beings is it right for us to keep them as playthings? Sometimes it gets too philosophical, but mostly it’s a great sci-fi adventure.

The acting was superb.  Anthony Hopkins played the role of his life and played it to the hilt.  He has a God complex and he thinks he can control people just like he controls androids.  Hopkins really turns up the creepy factor in this performance. Thandie Newton was amazing as Maeve Millay, this was undoubtedly the best performance of her career.  She mixed excellent comedic timing with a sad irony that showed in her face and her words, just a great performance. Jeffrey Wright was also very good, a very restrained understated performance.  On the other hand I didn’t like Evan Rachel Wood’s performance, it was too much a one note performance, she’s not supposed to be emotional, but she could have been a little more emotional than she was. Jimmi Simpson was just plain dull as William, he had a big role, but he is not very good at playing the complexities he was given. I like James Marsden, but his character was a total non-entity in this season’s episodes, maybe that will change.  I hope so.  I expected more from Ed Harris too, he put in a routine performance as the Man in Black.

The direction was good. Jonathan Nolan directed the pilot and the last episode, and other directors directed the episodes between. The pacing was generally good, the cinematography was excellent, and the performances were mostly good.

Westworld:  It rocked my world!