Posts Tagged ‘awkwafina’

Episode 1: Pilot

Nora Lin (Awkwafina) lives in Queens with her father, Wally (BD Wong) and her grandmother. (Lori Tan Chinn) Nora doesn’t have a job, and her room is a mess. But things are looking up, she got a job with a ride share company, and Nora’s friend, Chenise (Mekeda Declet) says she can stay with her. Are things turning around for Nora? Is she on her way to independence from her dad?

Slacker comedies are nothing new. Kramer was the king of the slackers in Seinfeld, and Chris Elliot played a newspaper boy living with his parents in Get A Life, so this is Awkwafina’s take on a slacker comedy, Awkwafina can be hit or miss, she was way over the top in Crazy Rich Asians, but she gave a sensitive and understated performance in The Farewell, so this tv show is anyone’s guess.

The first episode is very funny. She has to compete with her cousin, Edmond, (Bowen Yang) who she can’t stand. Her roommate is not who she appears to be, and she is a lousy driver. There is a universality to Nora, even though there are telltale signs of Asian overachievement lurking, Nora is someone everyone can relate to. Lori Tan Chinn is very funny as Nora’s grandma, but she has some touching dialogue as well. The surprising part of this comedy is how sincere the emotions are.

Episode 2: Atlantic City

Nora is talked into going on a bus trip to Atlantic City after her grandma gives her a guilt trip. While there. She runs into an old friend from her high school days, Melanie. (Chrissie Fit) How is Melanie doing? Grandma wants to have a quiet time in Atlantic City, does she get her wish?

Awkwafina almost doesn’t get caught up in the Asian gambling stereotype, but then she does. Both Nora’s storyline and grandma’s storyline are meandering, and they are ultimately pointless. This whole episode was not nearly as funny as the first one. Awkwafina seems to have fallen into another comedy writing trap, the precocious elderly person. Instead of having a precocious child saying all the smart, witty, outrageous things, an elderly person says those things. An elderly person saying and doing outrageous things may seem like a fresh twist, but it goes back to characters like Granny in the Beverly Hillbillies, or Sophia on the Golden Girls. Hopefully, Awkwafina will make her Grandma character multidimensional and not just a human punchline. She did a good job of humanizing all the characters in the first episode. Let’s hope the multidimensional characters continue in future episodes.

Episode 3: Savage Valley

Wally is tired of Nora’s video game obsession, so Wally and Grandma help Nora land a job as an assistant with a real estate friend named Nancy. (Deborah S Craig) Nora goes from slacker girl to overachiever with a little pharmaceutical help. What happens when the pills run out?

This episode has the feel of an after-school special. Remember kids, just say no to prescription drugs. The whole episode is predictable and not very funny. It’s somewhat strange that Nora is hanging out with kids a lot younger than her. Awkwafina is 32, and she’s playing someone who seems like a recent high school graduate, and playing video games with children. It’s not cool. Again, grandma is used as a human punchline. But BD Wong is consistently solid as Wally.

Episode 4: Paperwork

Nora looks to cash a check from Nancy and gets drowned in a sea of paperwork. When she tries to get into a cash payment only business, will it work or will Nora get in even deeper over her head?

This is more like what the show should be about a slacker facing difficulties with things that most people take for granted. This episode is reminiscent of the Honeymooners. Ralph always had good intentions, but the results didn’t always turn out well. The resolution of Nora’s issues showed Grandma’s sensitive side. Good writing.

Episode 5: Not Today

Nora decides to dye her hair, and finds out that cousin Edmond is back in New York. Wally goes to a single parent coping group, on the anniversary of his wife’s death.

The hair color routine is a comedy trope by now, but the rest of the episode is solid. Another strong performance by BD Wong as a parent dealing with grief and Edmond is humanized in this episode, not just made the object of scorn and jealousy. Good writing again, from Awkwafina’s staff writers.

Episode 6: Vagarina

After her New Agey aunt Sandra’s (Ming Na Wen) son Arlo (Zihan Zhao) turns hyper on sugary drinks, Nora suffers a vaginal injury which causes vaginal flatulence. Melanie’s new boyfriend, rap producer Rat Lung, (Peter Mark Kendall) wants to sample Nora’s sound, but says he won’t use It publicly.

This episode gets an A+ for creativity, but an F for too much information, and oversharing. No one needs to know what vaginal flatulence is, and other than Wally meeting Brenda in the middle of a bad Tinder date with another woman, this episode doesn’t advance the main storylines at all. Ming Na Wen is wasted in a superfluous role, as a hippie type. Arlo is a precocious kid, another sit-com trope.

Episode 7: Grandma Loves Nora

Edmond and Nora start out competing for Grandma’s affections, but when Edmond can’t come up with a new idea for his app, and does a lousy presentation, he turns to Nora for help. Does she help? Wally tries to get on Instagram to impress Brenda, one of them turns out to be embarrassing, what does Wally do?

This episode has two storylines which feed into each other well. There is nice synergy in the writing and that helps this episode. Everyone is working towards the same goal.

Episode 8: Grandma And Chill

While Nora is sick, Grandma tells the story of how she met Grandpa. In China, Young Grandma (Jamie Chung falls in love with Garbage Boy. (Simu Liu) After escaping China for America, Young Grandma falls in love with Doc Hottie (Harry Shum Jr.) When Garbage Boy reappears in America, who will Young Grandma choose?

This is a very funny episode with a Chinese history lesson thrown in for good measure. It has all the twists and turns of a good soap opera, with a few cliches, and many twists and turns. Jamie Chung is very good as the superficial Young Grandma, but Stephanie Hsu steals this episode as Grandma’s best friend Shu Shu.

Episode 9: Launch Party

Edmond and Nora hold a launch party for their new app Scubbr, which quickly goes south. But is there a silver lining? Wally has a bad first date with Brenda, but what does Grandma think is going on with Wally?

This was more pf a conventional episode, like Ralph as the Chef of the Future, on the Honeymooners, or Lucy doing Vitameatavegimin on I Love Lucy. And the bad first date is a standard comedy premise, but there is a twist in the Scrubr storyline, which leads directly to the final episode.

Episode 10: China

Scrubr is bought out by a Chinese company, and Nora goes to China without Edmond. In China, Nora meets Grace, (Celia Au) her translator and assistant. Meanwhile, back in America Grandma adopts an injured pigeon, which embarrasses Wally.

This was not the way to end a season. Grace was clingy in an uncomfortable way, but her devotion to Nora was sweet as well as sad, but the writers weren’t happy with Grace, so mid episode, they change her and not for the better. The grandma storyline was a sloppy metaphor for Nora leaving and coming home. The china storyline resolves itself messily, and the grandma storyline is overly sweet and sentimental.

My Impression of Season 1:

Season one of Nora from Queens is surprisingly funny. At its best, it’s laugh out loud funny with caustic wit, it even tries to be educational about Chinese culture, at its worst, it’s derivative, slow and unfunny. Luckily, for the most part, the good outweighs the bad in this show. It’s somewhat disappointing that the last two episodes are two of the weaker episodes. Awkwafina only wrote the pilot, but her staff writers are pretty funny, and very culturally attuned to the character’s voices. It was also disappointing that there was so much drug use, Nora smoked a lot of pot, but she also inadvertently used coke and Ecstasy and there’s nothing funny about hard-core drug use. There were also times where the show went for shock-jock humor, but for the most part, the writing was funny, and not shocking.

The characters are well-developed. Yes, Nora is a slacker, but she is really trying to be an average person, get a job, earn some money, it is that earnestness that honestly saves the character because if she was just on the couch smoking weed, Nora would be a boring one-dimensional character. The grandma character says and does a lot of outrageous things, but they also gave her a backstory, friends, rivals, and a good relationship with her granddaughter. The key character in this show is Wally, a hard-working straight-laced help desk guy, who tries to keep Nora on the straight and narrow while mourning for his wife, and trying to build a new relationship. It’s an important character in the show, because Wally is the one grounded in reality. The only recurring character that hasn’t been developed at all is Edmond, who is still as annoying as he was in episode 1.

The acting is great. Awkwafina is essentially playing herself, but she’s good at it, she’s done it in two movies and now her own tv show. She has obviously struggled cashing a check and keeping a job, so she draws on what she knows. But she tries to play a version of herself that’s younger than herself, playing video games with much younger kids, and talking about high school much too often. Her voice is somewhat grating, so she is smart enough to share this show with many talented actors. Lori Tan Chinn doe a fantastic job playing Nora’s grandmother, she could have easily been a one-dimensional wisecracking granny, but the writers were smart enough to give her a more three-dimensional character, complete with a backstory, and the viewer feels the sincere affection that she has for the Nora character, and that’s what makes Chinn’s performance complete. The best performance in Nora From Queens is by BD Wong, he injects a healthy dose of reality into Nora’s slacker life, and challenges her to do better. What Wong does better than that is convey a sense of loss over his wife, and they awkwardness of trying to meet someone new as a widow, it’s really convincing. If Nora From Queens was a network show or an HBO show, BD Wong would e up for an Emmy, he should be anyway, his comedic timing is flawless. The guest stars were ok, Ming Na-Wen is wasted as a flighty New Agey type, the writers should have written a better role for her. Jamie Chung fared better as Young Grandma, a spoiled little rich version of Nora’s grandma. Chung had a role with better writing and she made the most of it.

There were little to no directorial flourishes in this show. It’s a low budget comedy that aired on Comedy Cental, which means no money for visual trickery.

Nora From Queens: Hard to Ignora

the-farewell

Billi (Awkwafina) is a 30 year old Chinese American girl who hears some devastating news about her grandmother, Nai Nai. (Shuzhen  Zhao)  Billi’s cousin, Hao Hao (Han Chen) is getting married in China, which gives Billi’s family the perfect excuse to go see Nai Nai.  But Billi’s father, Haiyan (Tzi Ma) and her mother, Lu Jian (Diana Lin) don’t want Billi to go, because they think that Billi will be too emotional when she sees Nai Nai.  Billi’s life is not going very well as it is, she got a rejection letter about a Guggenheim Fellowship she was vying for, Hayan is drinking because of what’s happening to his mother, and there are marital problems between Hayan and Lu Jian, so is Billi in the right frame of mind to go see her grandmother at her cousin’s wedding?

The Farewell is a wonderful movie, because these are real people showing real emotions, going through a universally real situation.  The writer and director, Lulu Wang, must have gone through a similar situation herself because these characters seem so authentic.  There is real love between Billi and her grandmother, it’s palpable.  Billi is facing real problems on top of what is happening to her grandmother, she is unemployed, her future is uncertain, there is real grief, and what is really interesting, is how Wang examines how different people cope with potential grief, even how different cultures deal with potential grief..  Amazingly, Wang is able to inject humor into this emotionally fraught situation, at just the right times, and it does serve to lighten the mood, but not in a cheap silly way. There’s symbolism, birds seem to follow Billi wherever she is, and there’s even political tensions, because Hao Hao’s bride is Japanese.  All these feelings and ideas expressed in an economical 98 minutes.  The ending was somewhat confusing, but a second later the confusion is cleared up.

Awkwafina shows a much wider range of emotions in this movie, than her other films, and she’s up to the task, it was a much more reserved, introspective performance than her usual, loud, brassy character. She seems to be a better actress in Mandarin, than English, which is puzzling.  Shuzhen Zhao gives an incredible performance as Nai Nai, imbuing her character with strength, humor, joy, while at the same time giving her a heartbreaking vulnerability.  Tzi Ma is also very good as Hayan, he’s trying to put a brave face on the situation, but really he prefers to drown his sorrows in liquor, in reality it’s Hayan unable to deal with what’s happening to her mom.  Shuzhen Zhao and Awkwafina have an incredible chemistry together.

Lulu Wang deserves a lot of credit for directing this movie as well as writing it.  Usually, writer directors make movies that are agonizingly long and linger on scenes or ideas for far too long, because they are so in love with what they’ve written that they can’t bear the idea of editing their glorious masterpiece.  See Midsommar’s unbearable two-and-a-half hour running time for a masterclass on arthouse scene redundancy. There is none of that vanity in Wong’s direction, the pacing is quick, the ideas presented are clear and universal, the scenes don’t languish on one idea for too long.  This is an enjoyable film about an uncomfortable topic, and that is very hard to do.

The Farewell  Say hello to a great film.

oceans eight

As soon as Danny Ocean’s sister, Debbie (Sandra Bullock) gets out of prison, she plans a caper that would make her brother proud.  She finds her partner, Lou (Cate Blanchett) who recruits the rest of the team.  The frustrated ex designer Rose Weil, (Helena Bonham Carter) the jewelry forger, Amrita, Mindy Kaling) the hacker, Nine Ball (Rihanna)  the sleight of hand specialist, Constance (Awkwafina) the fence, Tammy  (Sarah Paulson) and the unsuspecting actress, Daphne Kluger (Anne Hathaway)  The gang plans to steal priceless jewels from around the neck of Daphne, during the Met Gala.  Will Debbie’s ex-boyfriend, Claude Becker (Richard Armitage) or a bumbling insurance investigator, John Frazier (James Cordon) foil their plan?

Ocean’s 8 has many problems, sexism for one.  The ladies only seem interested in stealing jewels from the Met Gala, a fancy dress ball.  Why would women be interested in stealing jewels, at an event filled with beautiful women wearing fancy dresses?  That in itself makes the viewer dismiss the plot.  Ocean’s 8 doesn’t seem to be sure of what it wants to be, a comedy or a drama, and it’s not enough of either to be good as a comedy or a drama, the actors seem to sense the uncertainty, resulting in a lot of awkward pauses.  The men are reduced to caricatures, the hunky ex-boyfriend, the bumbling Clouseau  like character.  In the end the only thing that distinguishes this movie from all the other heist movies, is the fact that the thieves are women.  The script is way too long, at the point it should end, it just continues for no apparent reason.

The acting is surprisingly bad in this film. Most of these actresses are A-List top of the line Grade A actresses, which makes it even more surprising to see them phoning it in.  Sandra Bullock can be a good actress at times, but she is not even trying here.  Her delivery is flat, the timing of her jokes is off, it’s just a bad performance.  Cate Blanchett seems uninterested by the whole enterprise, she seems to be saying wake me when it’s over.  Helena Bonham Carter does an Irish accent, and that’s the extent of her effort in this movie.  Anne Hathaway is the only actress who really tries, she plays the privileged Daphne, with a don’t you know who I am aura that works.  Mindy Kaling is annoying, with her whiny Valley Girl voice, and Rihanna is playing Rihanna, she tries, but really can’t act.  The young actresses try too hard, and the older actresses don’t try hard enough. For Bullock and the other veteran actresses, this seems like purely a vanity project.

The direction is awful.  The writer and director are the same person, Gary Ross,  and the director doesn’t know when to end his script.  When it should end and when it does end, are two vastly different thing.  The performances are mostly listless, and the pacing is lousy.  Ross doesn’t get a decent performance for nearly anyone,  even with veteran actresses, the director shares some responsibility for the bland performances here.

Ocean’s 8:  Drowning in self-indulgence.