Posts Tagged ‘jamie chung’

Episode 1: Pilot

Nora Lin (Awkwafina) lives in Queens with her father, Wally (BD Wong) and her grandmother. (Lori Tan Chinn) Nora doesn’t have a job, and her room is a mess. But things are looking up, she got a job with a ride share company, and Nora’s friend, Chenise (Mekeda Declet) says she can stay with her. Are things turning around for Nora? Is she on her way to independence from her dad?

Slacker comedies are nothing new. Kramer was the king of the slackers in Seinfeld, and Chris Elliot played a newspaper boy living with his parents in Get A Life, so this is Awkwafina’s take on a slacker comedy, Awkwafina can be hit or miss, she was way over the top in Crazy Rich Asians, but she gave a sensitive and understated performance in The Farewell, so this tv show is anyone’s guess.

The first episode is very funny. She has to compete with her cousin, Edmond, (Bowen Yang) who she can’t stand. Her roommate is not who she appears to be, and she is a lousy driver. There is a universality to Nora, even though there are telltale signs of Asian overachievement lurking, Nora is someone everyone can relate to. Lori Tan Chinn is very funny as Nora’s grandma, but she has some touching dialogue as well. The surprising part of this comedy is how sincere the emotions are.

Episode 2: Atlantic City

Nora is talked into going on a bus trip to Atlantic City after her grandma gives her a guilt trip. While there. She runs into an old friend from her high school days, Melanie. (Chrissie Fit) How is Melanie doing? Grandma wants to have a quiet time in Atlantic City, does she get her wish?

Awkwafina almost doesn’t get caught up in the Asian gambling stereotype, but then she does. Both Nora’s storyline and grandma’s storyline are meandering, and they are ultimately pointless. This whole episode was not nearly as funny as the first one. Awkwafina seems to have fallen into another comedy writing trap, the precocious elderly person. Instead of having a precocious child saying all the smart, witty, outrageous things, an elderly person says those things. An elderly person saying and doing outrageous things may seem like a fresh twist, but it goes back to characters like Granny in the Beverly Hillbillies, or Sophia on the Golden Girls. Hopefully, Awkwafina will make her Grandma character multidimensional and not just a human punchline. She did a good job of humanizing all the characters in the first episode. Let’s hope the multidimensional characters continue in future episodes.

Episode 3: Savage Valley

Wally is tired of Nora’s video game obsession, so Wally and Grandma help Nora land a job as an assistant with a real estate friend named Nancy. (Deborah S Craig) Nora goes from slacker girl to overachiever with a little pharmaceutical help. What happens when the pills run out?

This episode has the feel of an after-school special. Remember kids, just say no to prescription drugs. The whole episode is predictable and not very funny. It’s somewhat strange that Nora is hanging out with kids a lot younger than her. Awkwafina is 32, and she’s playing someone who seems like a recent high school graduate, and playing video games with children. It’s not cool. Again, grandma is used as a human punchline. But BD Wong is consistently solid as Wally.

Episode 4: Paperwork

Nora looks to cash a check from Nancy and gets drowned in a sea of paperwork. When she tries to get into a cash payment only business, will it work or will Nora get in even deeper over her head?

This is more like what the show should be about a slacker facing difficulties with things that most people take for granted. This episode is reminiscent of the Honeymooners. Ralph always had good intentions, but the results didn’t always turn out well. The resolution of Nora’s issues showed Grandma’s sensitive side. Good writing.

Episode 5: Not Today

Nora decides to dye her hair, and finds out that cousin Edmond is back in New York. Wally goes to a single parent coping group, on the anniversary of his wife’s death.

The hair color routine is a comedy trope by now, but the rest of the episode is solid. Another strong performance by BD Wong as a parent dealing with grief and Edmond is humanized in this episode, not just made the object of scorn and jealousy. Good writing again, from Awkwafina’s staff writers.

Episode 6: Vagarina

After her New Agey aunt Sandra’s (Ming Na Wen) son Arlo (Zihan Zhao) turns hyper on sugary drinks, Nora suffers a vaginal injury which causes vaginal flatulence. Melanie’s new boyfriend, rap producer Rat Lung, (Peter Mark Kendall) wants to sample Nora’s sound, but says he won’t use It publicly.

This episode gets an A+ for creativity, but an F for too much information, and oversharing. No one needs to know what vaginal flatulence is, and other than Wally meeting Brenda in the middle of a bad Tinder date with another woman, this episode doesn’t advance the main storylines at all. Ming Na Wen is wasted in a superfluous role, as a hippie type. Arlo is a precocious kid, another sit-com trope.

Episode 7: Grandma Loves Nora

Edmond and Nora start out competing for Grandma’s affections, but when Edmond can’t come up with a new idea for his app, and does a lousy presentation, he turns to Nora for help. Does she help? Wally tries to get on Instagram to impress Brenda, one of them turns out to be embarrassing, what does Wally do?

This episode has two storylines which feed into each other well. There is nice synergy in the writing and that helps this episode. Everyone is working towards the same goal.

Episode 8: Grandma And Chill

While Nora is sick, Grandma tells the story of how she met Grandpa. In China, Young Grandma (Jamie Chung falls in love with Garbage Boy. (Simu Liu) After escaping China for America, Young Grandma falls in love with Doc Hottie (Harry Shum Jr.) When Garbage Boy reappears in America, who will Young Grandma choose?

This is a very funny episode with a Chinese history lesson thrown in for good measure. It has all the twists and turns of a good soap opera, with a few cliches, and many twists and turns. Jamie Chung is very good as the superficial Young Grandma, but Stephanie Hsu steals this episode as Grandma’s best friend Shu Shu.

Episode 9: Launch Party

Edmond and Nora hold a launch party for their new app Scubbr, which quickly goes south. But is there a silver lining? Wally has a bad first date with Brenda, but what does Grandma think is going on with Wally?

This was more pf a conventional episode, like Ralph as the Chef of the Future, on the Honeymooners, or Lucy doing Vitameatavegimin on I Love Lucy. And the bad first date is a standard comedy premise, but there is a twist in the Scrubr storyline, which leads directly to the final episode.

Episode 10: China

Scrubr is bought out by a Chinese company, and Nora goes to China without Edmond. In China, Nora meets Grace, (Celia Au) her translator and assistant. Meanwhile, back in America Grandma adopts an injured pigeon, which embarrasses Wally.

This was not the way to end a season. Grace was clingy in an uncomfortable way, but her devotion to Nora was sweet as well as sad, but the writers weren’t happy with Grace, so mid episode, they change her and not for the better. The grandma storyline was a sloppy metaphor for Nora leaving and coming home. The china storyline resolves itself messily, and the grandma storyline is overly sweet and sentimental.

My Impression of Season 1:

Season one of Nora from Queens is surprisingly funny. At its best, it’s laugh out loud funny with caustic wit, it even tries to be educational about Chinese culture, at its worst, it’s derivative, slow and unfunny. Luckily, for the most part, the good outweighs the bad in this show. It’s somewhat disappointing that the last two episodes are two of the weaker episodes. Awkwafina only wrote the pilot, but her staff writers are pretty funny, and very culturally attuned to the character’s voices. It was also disappointing that there was so much drug use, Nora smoked a lot of pot, but she also inadvertently used coke and Ecstasy and there’s nothing funny about hard-core drug use. There were also times where the show went for shock-jock humor, but for the most part, the writing was funny, and not shocking.

The characters are well-developed. Yes, Nora is a slacker, but she is really trying to be an average person, get a job, earn some money, it is that earnestness that honestly saves the character because if she was just on the couch smoking weed, Nora would be a boring one-dimensional character. The grandma character says and does a lot of outrageous things, but they also gave her a backstory, friends, rivals, and a good relationship with her granddaughter. The key character in this show is Wally, a hard-working straight-laced help desk guy, who tries to keep Nora on the straight and narrow while mourning for his wife, and trying to build a new relationship. It’s an important character in the show, because Wally is the one grounded in reality. The only recurring character that hasn’t been developed at all is Edmond, who is still as annoying as he was in episode 1.

The acting is great. Awkwafina is essentially playing herself, but she’s good at it, she’s done it in two movies and now her own tv show. She has obviously struggled cashing a check and keeping a job, so she draws on what she knows. But she tries to play a version of herself that’s younger than herself, playing video games with much younger kids, and talking about high school much too often. Her voice is somewhat grating, so she is smart enough to share this show with many talented actors. Lori Tan Chinn doe a fantastic job playing Nora’s grandmother, she could have easily been a one-dimensional wisecracking granny, but the writers were smart enough to give her a more three-dimensional character, complete with a backstory, and the viewer feels the sincere affection that she has for the Nora character, and that’s what makes Chinn’s performance complete. The best performance in Nora From Queens is by BD Wong, he injects a healthy dose of reality into Nora’s slacker life, and challenges her to do better. What Wong does better than that is convey a sense of loss over his wife, and they awkwardness of trying to meet someone new as a widow, it’s really convincing. If Nora From Queens was a network show or an HBO show, BD Wong would e up for an Emmy, he should be anyway, his comedic timing is flawless. The guest stars were ok, Ming Na-Wen is wasted as a flighty New Agey type, the writers should have written a better role for her. Jamie Chung fared better as Young Grandma, a spoiled little rich version of Nora’s grandma. Chung had a role with better writing and she made the most of it.

There were little to no directorial flourishes in this show. It’s a low budget comedy that aired on Comedy Cental, which means no money for visual trickery.

Nora From Queens: Hard to Ignora

Episode 1 Sundown:
After returning home from the Korean War, to search for his missing father, Atticus Freeman (Jonathan Majors) receives a letter saying that his father is in Ardham Massachusetts. Tic, as his friends know him, takes his uncle George (Courtney B. Vance) and friend Leti Lewis. (Jurnee Smolett) Leti is a down on her luck singer who needs a place to stay and as a rocky relationship with her half-sister, Ruby. (Wunmi Mosaku) Tic, Leti, and Uncle George encounter family drama and racism as they enter Ardham County, where the racism doesn’t end. Ardham is what’s known as a sundown county, meaning black people aren’t welcome after sundown. The sheriff and his deputies threaten to shoot Tic, Leti and Uncle George unless they leave Ardham County in minutes. What happens to Tic, Leti and George?

This is a very good opening episode of what looks to be a promising series. There is an undercurrent of paranormal or supernatural events going on, on top of the overt racism against three African American protagonists, and it’s an open debate as to which is more frightening to the main characters, the racism or the paranormal elements. The series comes in the wake of Watchman in featuring a story with black characters in the forefront at a time of overt racism. Each of the main characters, and even the ancillary characters are so well-written and acted that it makes the whole episode so much fun to watch. All the characters are multi-dimensional, well-rounded people. It’s a pleasure to see such intricate writing on television.

The acting is superb. Courtney is the steady, calm, reassuring figure of the three, Vance exudes all these qualities and adds some humor to the role. Johnathan Majors is the quiet, contemplative, bookish Tic, but he’s fresh from the Army, and has muscles, but prefers not to use them in case of trouble. Jurnee Smolett stands out as the take no prisoners Letti. She’s willing to fight anyone, friend or foe, who crosses her. Smolett brings a lot of passion to this character and carries this episode for as long as she;s on screen. Even smaller roles like Leti’s sister are well-acted. Wunmi Mosaku adds a lot of fire as Ruby, giving Leti an earful on responsibility. Mosaku also has a great singing voice.

The direction melds the fear of racism with the fear of paranormal activity into one cohesive narrative. The pacing is brisk, The special effects enhance the story, not overwhelm it. Great performances, all packed in a little over an hour.

Episode 2 Whitey’s On The Moon:

Tic, Leti, and George wake up in a lodge owned by the Braithwaite family in Ardham county. Leti and George have no memory of what happened the night before. Tic remembers the night before all too vividly, and remembers the blonde who saved his life on the road to Ardham. She is Christina Braithwaite (Abby Lee) daughter of the patriarch of the Braithwaite family, Samuel. (Tony Goldwyn) Samuel has a plan of his own, it involves Tic, but what is the plan, and how is Tic involved?

Unfortunately, both the story and the characters receded a bit since the first episode, one of the big mysteries from episode one is resolved, which makes this episode immediately less interesting, and the character of Leti, who was so string-minded in the first episode becomes a more conventional female architype. Whitey’s On The Moon was disappointing in as many ways as the opening episode was exciting. The story seemed to put forth mixed messages throughput, and was therefore not as compelling as the first episode. Hopefully, the next episode will be better

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Episode 3 Holy Ghost:
Leti buys an old mansion on the North Side of Chicago, with the intention of fixing up the house and turning it into a boarding house, and also bonding with her half-sister, Ruby. But she faces resistance to moving in, from her neighbors, and from some spirits that are restless in the house. Tic feels guilty about not telling Hipppolyta (Aunjanue Ellis) about what happened to George in Ardham.

The problem with the last two episodes is definitely the writing. The haunted house is standard issue haunted house lore with some Tuskegee type experimentation thrown in for good measure. But it’s odd that Misha Green gives the perpetrator of these experiments a Jewish surname, given the Jews own horrific experience with similar experiments during the Holocaust. The character of Leti is inconsistently written, sometimes strong and daring, sometimes overwhelmingly needy. Finally, all the exposition tying the haunted house story to the central story is saved until the final few minutes and sounds rushed and forced.

Episode 4 A History of Violence:
Leti Tic, Montrose (Michael Kenneth Williams) Hippolyta go to a museum. Tic Leti and Montrose want to find missing pages from a book. William (Jordan Patrick Smith) makes promises to Ruby after she loses a job opportunity, can he keep those promises?

This episode feels like one of the Night at The Museum movies or maybe one of the Mummy movies, and of course black people have free run of the museum in the 1950’s, nobody’s asking questions, right? The Ruby/William storyline makes even less sense. But the central question is why would Leti, Tic and Montrose want to help Christina Braithwaite? And why do Tic, Leti, and Montrose seem to succeed where so many others have failed?

Courtney B. Vance is a much better actor than Michael Kenneth Williams. Both his overacting and the character in general are grating. Jurnee Smolett is also chewing the scenery quite a bit in these past three episodes. Yelling is not acting.

Episode 5 Strange Case:
Ruby wakes up a whole new woman after spending the night with William, but there’s a price she has to pay for her newfound status, is she willing to pay it? Tic and Leti research the clues the found in the depths of the museum. Montrose continues to prevent Tic and Leti from finding more about the lodge and their members.
This episode tries to discuss race, gender and orientation issues using the guise of science fiction or horror as a genre. When done well, like the Watchmen series, science fiction can be the perfect vehicle to discuss thorny social issues. When done badly, like this episode, and sadly, most of this show, the writing begins to bludgeon the viewer over the head with its point of view and the episode and the show becomes unwatchable.
The producers cast an older actress to play Wummi Mosaku’s alter ego, why is that? Is it that any actress will do? That speaks more to Hollywood’s racism than racism in society. Ironic isn’t it?

Episode 6 Meet Me In Daegu:
In 1950, during the Korean War, Tic did a lot of unconscionable things, including shooting and killing a nurse, Young Ja (Prisca Kim) suspected of being a Communist spy. Tic is wounded and meets another nurse named Ji-Ah, (Jamie Chung) the two fall in love, despite Ji Ah knowing that Tic killed her friend. Ji-Ah has a secret of her own, will she tell Tic? What about her visions of Tic’s future? Do they come true?

This is perhaps the best episode since the first episode. Each of the characters are compromised and conflicted in very complex ways. Tic has killed without remorse, Young-Ja is unapologetically in love with a Communist from North Korea, and Ji Ah loves Judy Garland movies, but hides a dark secret, and knows about Tic’s horrific deeds. The story even adds some Asian horror elements, so even though its only tangentially related to the main story, this episode stands out for depicting the horrors of war simultaneously with a love story.
The acting is excellent Johnathan Majors turns in an emotionally gripping performance as a soldier trying to forget the horrors of war and let himself fall in love. Jamie Chung stands out as a tortured soul, needing to find love. She really pours all her emotion into this role and it’s a very complex performance. Prisca Kim is also very good as the nurse with Communist sympathies.

Episode 7 I Am:

Hippolyta finally finds out what happens to George in Ardham. She also has a crucial piece of the lodge’s hardware in her possession, and she’s learned how to use it. Christina tries to explain William’s fascination with Ruby to Ruby, but Ruby doesn’t seem convinced. Tic finds out something about his father, and it drives them further apart.

This is Hippolyta’s journey of self-discovery, but the writers get it wrong, they try to raise Hippolyta up by tearing others down. There seems to be a lot of repressed anger in Hippolyta’s character, and that plays into a pernicious stereotype about black women. So instead of being an uplifting journey, the narrative gets loaded down by the baggage of anger, and even self-loathing. The anger may even be justifiable, but her actions and the lessons she learns are the wrong ones. More racism is not the way to end racism, more racism only perpetuates racism. The writers also do the same with Christina storyline trying to justify the chip on her shoulder in different ways This is another tangentially related episode, but unlike Meet Me In Daegu, the writing is weak, and so is the character development.

Episode 8 Jig-a-Bobo:
Diana is upset by the death of her friend Bobo. If that isn’t bad enough, Captain Lancaster (Mac Brandt) puts a curse on Diana. Ji-Ah finds Tic and once again tells him about her vision. Tic asks for a favor from Christina, which she grants to Leti? Tic and Montrose bond after Tic tells Montrose something about his future.
The use of historical fiction in this episode is sloppily written, and doesn’t fit the story. If the writers used a historical figure as a plot device, that’s inappropriate. And where did Ji-Ah come from? The last time the viewer saw of Ji-Ah, she was a nurse in Korea, now she’s in Mississippi? Why is no adult helping Diana when she is clearly terrorized, and why did the writers steal a concept and a visual from Jordan Peele’s Us? Since he’s one of the executive producers of this show, the use of those scenes wasn’t a problem. Even with all these shortcomings, this episode is more like what the series should have been about fear of racism coupled with fear of the unknown. The interpersonal relations between the characters is the stuff of soap operas and seems like filler at times, finally the writers got to the heart of the theme of this show, they took a lot of detours to get here, let’s hope that the remaining episodes use the theme again.

It was nice to see Ji Ah again, but this time Jamie Chung sounds more like a Californian, which she is instead of a recent immigrant to the U.S. That detracted a little from the role, which she played very well in the Meet Me In Daegu episode. It’s nice to see that Michael K. Williams finally shows some subtlety in his acting. Montrose was becoming a one-note character. Speaking of Montrose, it was not necessary to make him dyslexic, he’s got enough on his plate.

The use of “Cruel Cruel Summer” by Bananarama seemed like an odd choice to lead this episode, it’s a pop song, it’s not about anything in particular, to give it the weight that this episode gives it is unnecessary.

Episode 9 Rewind 1921:

Tic makes a pledge to Christina that Leti doesn’t want him to keep to try to save Diana’s life. Hippolyta comes back from her journey of self-actualization just in time to send Leti, Tic, and Montrose on a mission to try to save Diana. Does it work?

This was stone cold plagiarism by the writers of Lovecraft Country, who took a script right out of Watchmen, and didn’t even blink. Well, Watchman did it first and did it better. Rewind 1921 seemed like leftovers compared to the Watchman episode, which was moving and powerful. This episode was another misuse of historical fact, and why decide on this time and place when it was already done so exquisitely before? The writers never mentioned where Montrose or George were born, so this episode has no real resonance.

Episode 10 Full Circle:


Christina has a spell, but she needs Tic’s blood to make it operational. Tic has a spell to cure Diana, but he needs Christina’s blood to make it work. Ruby’s stuck in the middle and has divided loyalties. Whose spell will work, and what does it mean for Christina and Tic?

This was the finale, so it was supposed to resolve a lot of issues, and it seemed to have resolved a lot of issues, but because magic is involved, nothing is really final. The resolution of Ji Ah’s issues with Tic was written badly, and still she’s expected to help Tic with his grand plan. The resolution of Chritina’s plot line was most disappointing, because she was made a one-dimensional character with no opportunity to evolve or grow. How she met her final fate is equally disappointing, because of who was involved. This show is marred by episode after episode of sloppy, undisciplined writing and the finale is no exception, anyone expecting an uplifting episode to cap matters will be left wanting.

My Impressions of Season One:

After getting off to a truly splendid start with the Sundown episode, the writing went slowly careening down a cliff. Sundown was a wonderful mix of mystery, elements of horror and the horrors of racism in Jim Cow America. But then, as soon as the second episode, the focus of the story changed, one of the main characters changed, and the sole focus became racism. The black characters had this seething underbelly of anger within them, which was unappealing, and the white characters were so one-dimensional that they don’t even deserve mentioning. That does a disservice to the way progress was made in America in the eras of slavery and civil rights. For every Fredrick Douglass, there is a John Brown, for every John Lewis, there is a Michael Schwerner. That’s what Lovecraft Country misses, for there to be real and lasting change in any era in America, there has to be buy-in from all races, the writers missed an opportunity to make at least one of their white characters learn and grow and evolve.

After the Sundown episode, Lovecraft Country almost seemed like an anthology series, there was no cental theme holding it together, so one episode would be centered on Leti, and her new house, or the museum or Hippolyta, or Ji-Ah, and there was there was the thinnest of threads tying them to the writers alleged theme, but often the narrative became obscured, and the Lovecraftian elements are almost nonexistent in some episodes. The characters vacillate between strong and brave and weak and weepy, and some episodes focus almost exclusively on who’s sleeping with whom. And by the way rape is never acceptable, whether it is a male or female being raped, and anti-Semitism is never acceptable, no matter how it’s dressed up.
There were a few standout episodes after, like Meet Me In Daegu, which is a love story with many conflicted characters, but again this story was barely tangentially related to the central character, Jig a Bobo, with its many flaws, finally gets around to what this show should have been a mixture of supernatural horror and the all-too-common horror of racism. The show that it will be compared to is Watchmen, but Watchmen was much better written, and once Watchmen came together, it was a marvel to watch. Lovecraft Country even ‘appropriated’ the Tulsa Massacre from Watchmen, which was first masterfully captured on screen in Watchmen’s first episode. It is the height of irony to use H.P. Lovecraft’s themes as a palate because Lovecraft was a virulent racist. Misha Green and her co-writers could have done a much better job of it, by not telegraphing her verbal punches, and toning down the anger of the black characters, and by not making the white characters so uniformly hive-minded.

The acting varies greatly. The good performances are very good, the not so good performances are pretty scenery-chewing bad. Johnathan Majors is excellent as Atticus Freeman, he really showed all of his emotions, but he knew how to modulate his emotions, when Tic got angry, it was through clenched teeth, when he felt sadness, the viewer felt his pain, it was a difficult role, but a wonderfully well-rounded performance. He should have a bright future in Hollywood, he’s already making a name for himself with a solid perfrmance in The Last Black Man In San Francisco. Courtney B. Vance was wonderful as the gentle, kind caring, uncle George. He was woefully underused, the writers brought him back, only to lay a guilt trip on him. Bad writing abounds with respect George’s character. The show needed more of the understated grace and charm of Vance’s performance. Michael K. Williams tried to pick up\ the slack for Courtney Vance’s absence, but he overdid his angst. It was a 10,000-decibel performance that required some subtlety.

Jurnee Smolett was terrific in the first episode, and then her character changed from stong and confident to weak and weepy, and she was not able to modulate her performance as Leti, as well as Majors did as Atticus, so she was either screaming in anger, or screaming in terror, and generally overacting. Wunmi Mosaku is a multitalented singer, actress and force to be reckoned with as Ruby, she’s not afraid to step on some toes and give half-sister Leti advice about Leti’s place in the family It’s the bold performance that this show needed. The remainder of her storyline was written badly, but she made the most of it. Abby Lee had a very difficult role, making someone like Christina Braithwaite a likeable character, and she almost succeeded, until the writers torpedoed her best efforts. Every series needs an antagonist, and Christina is this series main antagonist, but Lee does her best to make her somewhat sympathetic. Jamie Chung gave the performance of her life in three or four episodes, she ran the emotional gamut from kind innocence to anger and hatred. It was an illuminating performance and should show Hollywood that they shouldn’t typecast actors, especially female actors. The depth of emotion in her performance in Meet Me in Daegu was incredible. Again, the character’s role in the last episode was poorly written, but that’s not Chung’s fault.

There were 10 episodes mostly directed by different directors, so it’s easier to select two episodes and talk about each director’s work. Episode One was the best episode of the bunch so Yann Damange gets some of the credit for that. He perfectly blended traditional horror themes with elements of mystery and the real-life horrors of racism. He manages to balance the three elements and not let one overpower the other two. The pacing was good, and the special effects were perfectly used especially in the opening dream sequence. He gets great performances from everyone, and even stages a musical duet between Smolett and Moskau.
Episode 6 was the second-best episode, and that was directed by ex-actress Helen Shaver, who had a lot of roles in horror movies like the Amityville Horror, Poltergeist The Legacy and the Craft. Shaver uses those roles in horror well, as she blends elements of Asian horror with war movie and believe it or not Hollywood musical, and comes up with a great narrative, the special effects aren’t overpowering, the interspersing of clips from Judy Garland movies and horrible acts of war create a roller coaster of visuals that leaves the viewer as conflicted as the characters in the episode.

Lovecraft Country: Not crafted as well as it should have been.