Posts Tagged ‘jon hamm’

baby driver

Baby  (Ansel Elgort) is a young getaway driver who works for Doc (Kevin Spacey) who’s a mobster.  Baby’s first job is driving Griff (Jon Bernthal) Buddy (Jon Hamm) and Darling (Elza Gonzalez) away from a bank robbery.  He does this in a red Subaru.   Baby’s second job is a Brinks truck heist featuring three different criminals, Eddie (Flea) J.D. (Lanny Joon) and Bats. (Jamie Foxx)  Once again, Baby escapes with his life.  Doc promises Baby that’s his last job and Baby is glad, because while going to the same diner every day, because his mom used to work there, he meets Debora (Lilly James)a cute waitress, and the two fall in love.  Baby is out of the getaway driving business and working as a pizza delivery boy, when Doc calls with one more job, involving money orders and the post office.  After a threat from Doc, will Baby take the big job, or forget his life of crime and run off with Debora?

Most people have heard of a mash up in music, Baby Driver is a mash-up of genres.  It’s a crime caper, it’s a drippy romance, and it’s got so much music, it might as well be a musical.  But the music and the romance divert attention from the crime drama, in ways that didn’t help this movie.  There are coincidences that would never happen in real life, like two cars looking just like the getaway car on the first getaway, there are backstory elements that only serve to garner sympathy to the Baby character, and there’s a badly mismatched cast, which makes the viewer wonder if this group of people would ever do anything together, much less plan robberies together.  It’s got that one last bank job cliché, and then it breaks that promise, because there is not enough material in the film to maintain interest. The ending would have been fine, if the movie had ended five minutes before it did. If this movie wasn’t a mash-up of genres, it would have been just another heist movie with a lot of shooting and fancy driving, so I guess the touches of style are better than nothing.

This movie features some of the strangest casting in any recent movie I’ve  seen.  Ansel Elgort is good as the innocent getaway driver, but does anyone believe that a guy like that would actually be a getaway driver?  No.  And Elgort laid that Southern accent on a bit too thick, it was noticeable.  The writers failed to give Baby any dimensions though, he was basically all good all the time, and that got boring quickly. Jon Hamm is great in Mad Men, but he is not a thug, and making him dress up in a leather jacket with stubble doesn’t exactly make him look tough, he just looks out of place, like he missed a revival of Grease or something. Casting 27 year old Elza Gonzalez as Hamm’s girlfriend when Hamm is 46, makes the idea of Hamm in this movie even more ridiculous.  The two were obviously badly mismatched, and Gonzalez was only used for eye-candy purposes.  Kevin Spacey plays what he always plays, an authority figure who everyone fears for some unknown reason.  Well I hope he enjoyed himself in this movie, because he’s finished in Hollywood. Jamie Foxx plays what he always plays, a slightly crazed, unpredictable character who makes jokes. One can argue about casting any of these people, but what are Flea from the Red Hot Chili Peppers and 70’s lounge singer Paul Williams doing in this movie?  Strange casting indeed.

The direction is not great, the pacing is uneven, it goes from a faced paced action flick to a slowly paced romance, and back and forth between the two.  The director used the beat in the music in concert with some of the action, which is unique, but hardly worth sitting through this movie for.  Watch Drive with Ryan Gosling, which also has arthouse excesses, but it’s got a better story and better acting than this movie.

Baby Driver:  Drove me to drink.