Posts Tagged ‘josh brolin’

deadpool 2

After two years of working as a mercenary, and killing many bad guys, Deadpool (Ryan Reynolds) decides to start a family with girlfriend Vanessa. (Morena Baccarin)  When those plans are interrupted, Deadpool is convinced by Colossus (Stefan Kapcic) to join the X-men as a trainee.  His first mission is to rescue a teen boy named Russell (Julian Dennison) from a home for orphaned mutants, Russell is causing damage with his powers and the police are called, but Deadpool screws up the mission and both he and Russell  go to the Icebox, a mutant prison where their powers are controlled by collars around their necks.  While in prison, Russell seeks revenge on the headmaster(Edde Marsan)  of the orphanage and enlists the aid of Juggernaut,(himself)  the biggest prisoner in the Icebox.

From out of the blue, a soldier named Cable (Josh Brolin) breaks into the Icebox and attacks Russell, but Russell escapes Cable with his new friend Juggernaut, and heads for the orphanage to get his revenge on the headmaster,  Cable follows Russell, and Deadpool with his new ‘family’ the X-Force, which mainly consists of Domino (Zazie Beetz) and they go to find Russell.  Can Deadpool and Domino stop Russell before he and Juggernaut exact their revenge?  Can Deadpool stop Cable from killing Russell.

Deadpool 2 is a mix of a great deal of violence, scatological teenage anatomy humor, both disturbing and derivative plot elements, and what Hollywood does best, explosions substituting for plot.  There’s a joke in the film that refers to Ryan Reynolds saying. “He doesn’t like sharing the screen with others” which is basically wish fulfillment for the rest of the film.  This is Ryan Reynolds’ film, and he chooses to carry the load mostly on his own.  The mood alternates between frathouse humor and some very disturbing allegations at the orphanage, and the film doesn’t know if it wants to be a serious film about serious issues, or Animal House with mutants, and that is part of the problem .  The mood shifts are so sudden and violent that any viewer would suffer from being whipsawed between laughter and angst  It doesn’t make the X-men look very good either, sending a trainee on a mission they should be handling.  The ending is not surprising, because it’s a Marvel movie, and endings don’t matter in Marvel movies.

The acting s ok, just ok, Ryan Reynolds is not a great actor, he’s as average actor, maybe below average.  So maybe,  sarcastic, snide, comic book superhero Is the best he can do for himself.  His best movies are Van Wilder, and Definitely, Maybe, frathouse comedy romantic comedy.  Deadpool weirdly combines both genres, so no wonder he feels comfortable.   Josh Brolin was a serious actor, he was good in No Country For Old Men, he did a good job as George W Bush in W.  But now he’s not in one but two Marvel movies, playing the heavy, Thanos on The Avengers, but playing a more complex role, as Cable.  Since Brolin is not known for comedy, he plays Cable as a straight man.  Here’s a suggestion, how about Larry the Cable Guy plays Cable?  Need an assassin?  Larry would Get ‘er done!  All kidding aside Brolin is quite good in this role.  Zazie Beetz was a breath of fresh air as Domino, she added snark, and a woman’s perspective to the testosterone dominated cast  She almost steals the movie from the incessantly mugging Reynolds. .  Julian Dennison was a bit too whiny, as Russell, he was boxed in by bad writing.  This was not the comic book Russell’s origin story.

The direction was good, pacing was fast, not an over reliance on special effects,  the pacing is good, a few too many explosions.  He gets mostly good performances from the cast.  And the guy is a stuntman, which makes sense for a movie like this which involves big action scenes and lots of stunts.   He directed  Atomic Blonde too, which I did not like.

Deadpool 2:  Not quite dead in the water.


Thanos wants to steal all the Infinity Stones and kill half the universe’s population.  On the planet Asgard, Thanos (Josh Brolin) is searching for the Space Stone, encased in the tesseract , Thanos battles Thor (Chris Hemsworth) and Loki (Tom  Hiddleston) on Asgard.  While the battle rages, Heimdall (Idris Elba) sends the The Hulk (Mark Ruffalo) to Earth where Bruce Banner warns Dr. Strange (Benedict Cumberbatch) that Thanos wants the Time Stone and already has the Power Stone.  Tony Stark (Robert Downey Jr.) tries to take the Time Stone from Dr. Strange, but he refuses to give it up.

Some of Thanos’ minions attack Vision (Paul Bethany) and Scarlet Witch (Elizabeth Olsen) but they are repelled by Steve Rogers (Chris Evans)  Black Widow (Scarlett Johansson)   Thanos wants the Mind Stone from Vision, Vision wants to sacrifice himself, and destroy the Mind Stone.

The Guardians of the Galaxy rescue Thor from outer space after Asgard is destroyed,  Thor wants to go to Nioavillir tobuild the Strormbreaker an ax capable of killing Thanos, he is accompanied by Rocket (Bradley Cooper) and Groot. (Vin Diesel)  Peter Quill (Chris Pratt)  and the rest of the Guardians go to Knowhere, where Thanos seeks the Reality Stone.  Gamora  (Zoe Saldana) knows a secret about the Soul Stone, that she effuses to tell Thanos.  Will Thanos learn the secret of the Soul Stone?  Will Thanos collect all the Infinity Stones?  Or will Thor build the Stormbreaker Ax and kill Thanos?

Infinity War does one thing well, and that is to give each character enough lines to make each character contribute an important piece of the film.  The premise of killing half the population of the universe is a dumb one, because repopulation  is a continual thing.  The humor is well-placed, but then becomes overdone, and completely contradicts the stark nature of the ending.  The ending is jarring, it left me depressed and angry, hardly feelings that I expected to have coming out of a superhero action film.  I didn’t expect to have such a visceral reaction to this film, but I’ve spent 18 years watching these Marvel films and suffered through a few bad ones, Thor 1 &2, the first Guardians, the first Avengers, and this is my reward?  The fate of these characters seems random and capricious, and any attempt to write a revision to this movie in the next Avengers movie should be met with loud displeasure.  I, for one will not watch the next Avengers movie, why should I reward such shameless manipulation?

The acting is very good.  At the head of this very big class is Josh Brolin, he is decidedly cruel, but he is also conflicted about killing, and he displays that dichotomy very well.  Robert Downey Jr. plays the snarky Mr. Stark to perfection, like Hugh Jackman’s Wolverine, no one should ever play Tony Stark other than Downey Jr. because no one can play Stark better.  Benedict Cumberbatch does a nice job as Dr. Strange.  Chris Hemsworth is finally comfortable as Thor.  He is funny and having fun as the Norse god. And Zoe Saldana packs an emotional punch as Gamora.  She is fantastic.

The direction by the Russo Brothers is over the top.  Pacing to them is getting the audience from one action sequence to another, and jamming as many special effects into one movie as possible, which is fine if that’s all the viewer demands, but there is little time for plot development, character development or backstory, despite its 2 ½ hour running time.  They get good performances, but sometimes the special effects overwhelm the acting.

Avengers:  Infinity War: Thor-oughly unfortunate ending.


hail caesar

Eddie Mannix (Josh Brolin) is the head of Capitol Studios, he’s also the studio’s chief fixer.   Deanna Moran (Scarlett Johansson) has a child out of wedlock and Eddie has to find a solution for her.  Superstar Baird Whitlock (George Clooney) is set to star in the biblical epic Hail, Caesar, when he is kidnapped by two extras (Wayne Knight, Jeff Lewis) for a 100,000 dollar ransom.  To complicate matters, Eddie is being offered a job by an aeronautics executive. Meanwhile, cowboy crooner Hobie Doyle (Alden Ehrenreich) is starring in famed director Laurence Laurentz (Ralph Fiennes) new sophisticated romance, the problem is Hobie can’t act. Can Eddie find Baird before gossip columnists Thora and Thessaly Thacker (Tilda Swinton) write a tell-all story on Baird?  Can he fix Deanna’s single motherhood issue? Can Eddie get Baird back in time to finish Hail, Caesar?  Will Eddie quit Hollywood altogether and join the aeronautics firm?

Hail, Caesar! is obviously a satire of Ben Hur and Spartacus, but the Coen brothers are not content to showcase one movie, so they attempt to glamorize an entire era of films, the singing cowboy movies of Gene Autry and Roy Rogers, the seafaring musicals of Gene Kelly, the aquatic films of Esther Williams, the choreography of Busby Berkely, and the films of Latin star Carmen Miranda.  There is also some subtext of the Hollywood blacklisting scandal and a Hedda Hopper type gossip columnist roaming around.  It also tries to echo the outlandish screwball comedies of the 1930’s and 40’s. In order to create these vignettes and characters, the main story gets diluted and loses its cohesiveness, and the resolution to all the questions seems like an afterthought.  At times the humor was too broad as well, more like David and Jerry Zucker than the Coen brothers.  I expected a little more sophistication here.  It helps that I’ve seen most of these classic movies, if a viewer hasn’t seen those films, they may be lost.

The acting is very good in this film. Josh Brolin is as good as I’ve seen him in anything, he plays a very serious straight man in the middle of two or three different disasters, all of which he’s trying to keep off the pages of the gossip columns.  I’m not a big fan of George Clooney, but he hams it up pretty well here and does a good job as a larger than life Charlton Heston type actor.  There’s something about the Coen brothers that brings out the best in Clooney, he was also very good in O Brother Where Art Thou, as  a small time con-man with a big-time ego.    Scarlett Johannsson is very funny playing a tough-talking swimmer with a baby.  I’ve never seen her take on such a broadly comic role and she was good at it.  I wish she had a bigger role.  Ralph Fiennes was funny as the exasperated arthouse director trying to teach the singing cowboy how to act. Tilda Swinton is quite good as the devilish Thora and Thessaly, competing with each other and threating Eddie by exposing a major scandal.  Swinton is also pretty good at comedy.  Channing Tatum still can’t act, but he can sing, and does a pretty good song and dance here.

Hail Caesar is a wonderfully visual movie, the viewer feels like he/she is watching those classic movies from which the scenes are taken.  The Hail Caesar movie looks very much like Ben Hur.  The scene with three crosses in silhouette is visually shocking for a comedy, but necessarily authentic to mimic the look of a Biblical epic.  The Esther Williams vignette is visually breathtaking, and illustrates the beauty of a Busby Berkely choreographed film.  The Gene Kelly-esque scene is scarily accurate in terms of visuals.  The Coens also get great performances from a stellar cast.  If the writing was as good as the acting and direction, this movie would have been an instant classic.

Hail Caesar.  I come to bury Caesar not praise him.


After witnessing an explosion that kills a fellow FBI agent, Agent Kate Mercer (Emily Blunt) is chosen by CIA operative Matt Graver (Josh Brolin) to join an interagency team to hunt down Mexican drug lord, Fausto Alercon.  (Julio Cedillo) Kate meets with Graver and Mexican cop named Alejandro (Benico Del Toro) in San Antonio.  The three then drive to Juarez Mexico, and start looking for associates of Alercon.  Immediately, Kate feels uncomfortable, because the FBI is not supposed to be involved in international operations.  Kate is also frustrated with the techniques of mass arrests that Alejandro and Graver use, but those techniques lead Kate to a tunnel used by drug smugglers.  What does Kate find inside the tunnel?

There is not much of a story here, the plot is the standard chase movie plot, with the garden variety sense of corruption thrown in.  The character development is slim.  The audience knows next to nothing about Kate, except that she doesn’t have a clue as to what is going on, and who her friends or enemies are. Instead of being the take no prisoners character I expected, Kate seems to be wracked by fears and doubts. Graver plays fast and loose with the rules, and Alejandro seems to have an ulterior motive.  But the big reveal is not that big, and after two hours, the viewer is left with an ‘is there all there is’ feeling.  If people riding around in SUV’s are your idea of an action movie, this movie is for you.

I like Emily Blunt, I thought her character in this movie would be more like her character in Edge of Tomorrow, but this character was written as confused, desperate, and scared.  I was hoping she would be a stronger character, but she seemed to be led where she did not want to go, too bad the writing let her down.  Josh Brolin was excellent as the gland-handing, smarmy used car salesman of a CIA agent, quick with a smile, but short on information. Benicio Del Toro is also excellent as a man on a mission, he is a great actor, but he is in danger of being typecast in drug themed movies like Savages, 21 Grams, Traffic, and now Sicario.

The direction is inconsistent, he gets good performances out of Brolin and Del Toro, but not Blunt.  The pacing is slow, it seems to take forever to get to the climax and the climax is not really worth it.  His other movie of note, Prisoners, was not worth the trouble either.  It got an Oscar nomination for Original Score for a score that is more urgent than the movie.

Sicario. Let’s be Blunt.  Not that good.

gangster sqad

Mobster Mickey Cohen (Sean Penn) wants to take over post-World War II Los Angeles by controlling drugs, prostitution and most importantly controlling the flow of gambling money all the way from Chicago to L.A.  The gambling operation is code named Operation El Dorado. Chief Parker (Nick Nolte) tasks Sergeant John O’ Mara (Josh Brolin) with bringing together a force of policemen to take apart Cohen’s burgeoning operation, and hunt down and kill Cohen.  Sergeant Jerry Wooters (Ryan Gosling) Officer Coleman Harris (Anthony Mackie) Officer Navidad Ramirez (Michael Pena) Officer Max Kennard (Robert Patrick) and Officer Conwell Keeler (Giovani Ribisi) make up what’s called the Gangster Squad, and they go about dismantling Cohen’s gang.  Keeler is the intelligence officer  who bugs Cohen’s house and provides the rest of the squad about what Cohen plans to do.  But Wooters, the rebel in the group falls for Cohen’s girlfriend, Grace Farraday. (Emma Stone)  Grace and Jerry know if their romance is discovered, it means death for both of them.  Do they end operation El Dorado, do they kill Cohen or does the romance between Wooters  and Grace Farraday get in the way?

I did not like Gangster Squad.  My displeasure starts with the voice over narration, don’t get me wrong classic movies like Sunset Boulevard and Citizen Kane, use voiceover narration to great effect, but it’s simply not necessary here.  The movie is a triumph of style over substance.  The movie looks great, it captures the art-deco style of 1940’s Los Angeles perfectly, the day-glo colors of the buildings and neon literally jump off the screen, the costumes are similarly spiffy, but the story is simply not compelling.  It’s like some of the best actors in America got together and decided to play cops and robbers.  What makes Cohen want to be a gangster? Is it his background as a fighter? Is it his ethnicity, being a Jew in a profession dominated by Sicilians? There is not enough character development for any of the characters, all the cops are perfect, except for Wooters and other than his relationship with Grace Farraday, this movie tells us nothing about him.

Sean Penn gets lost in the prosthetic makeup, and trying to create a distinctive voice for Cohen.  It really is not a good performance.  When Cagney played  Tom Powers in The Public Enemy, his anger as seething below the surface.  Sean Penn, sometimes plays Cohen as low-key, but sometimes screams just to show that he is acting. I found Ryan Gosling’s performance oddly uninteresting, and I usually like Gosling.  He had more chemistry with Stone in Crazy Stupid Love, and that’s not a good sign.  Stone does her best Veronica Lake (or was it Jessica Rabbit) style femme-fatale, but I never got the sense that she was in danger, or for that matter dangerous. Josh Brolin ‘s character was made perfect, flawless, and so he couldn’t really do much except be flawless.  Mackey and Pena were in the movie I suspect to appeal to a certain demographic, as Hollywood is known to do.

The writing is subpar, extreme violence fills the gaps for actual plot, and the story was much too long.  I saw nothing spectacular in the direction, but it’s the first time I actually noticed set design and costume design.

Gangster Squad:  A bloody mess.